Interview with ghostwriter, Laura Sherman
We usually start our interviews by asking the author to list their books and talk about them. As a ghostwriter, you have to be a bit more discreet about many of your titles, we assume? However over the last ten years some people have given me cover credits and others mentioned me in their acknowledgement section of their books. I now have a good portfolio. I have also received a number of testimonials from clients, which are on my website. Researching these names, one could extrapolate a few of the books I’ve written. Do you feel like you are giving your babies away when you hand in a book? More recently I started offering to help my clients market and promote their books. In exchange they give me a percentage of the sales and a credit for the book. It works out well and I get to visit the newborn from time to time. You have ghostwritten a number of memoirs. How do you find the voice of the subject? And how long does it take to become an expert in your subjects’ lives? To find their voice I read their written words and interview them on the phone. I can get a good feel for who they are that way and what is important to them. The first task is to gather all the information. Throughout that time I am learning about them, finding their voice. There comes a time when I just get it and after that I can just run with writing the first draft. The time varies, but it usually takes months. Once the book is done and handed in, do you have to make a conscious effort to forget all you’ve learned? We can understand why someone would need a ghostwriter for a memoir or a non-fiction book, but can you explain why people hire ghostwriters for works of fiction?
I think that pretty much sums up what most of my clients experience! You do have a few books with your name on the cover. Can you tell us about them? Joshua’s Missing Peace is a true story of a mother whose young child became suddenly ill. He started behaving oddly and when she took him to her pediatrician, she was sent to a psychiatrist, who prescribed very strong medication. Her child began to change before her eyes. She was losing him. Unhappy and afraid, she researched on her own and found the cause of her son’s difficulties. He had a version of strep throat called PANDAS. Once he started on a treatment of antibiotics he got better immediately and could be weaned off the dangerous medicines. In the end he needed additional treatment, but today the boy is doing very well! I heard he won a local chess tournament. We love haiku; can you give us one of yours? There is a lot of complexity around haiku, so perhaps it would make sense for me to start by defining what a haiku really is. It really isn’t about syllable counting. You simply want to create a short poem that shares a moment you have experienced. People can get very wrapped up in the 5-7-5 syllable count of the three lines, but honestly that really is the maximum number. Most in the haiku community consider a 5-7-5 haiku to be wordy. Recently I went to my children’s school and taught five seminars in haiku. The ages of the children ranged from four to ten. I worked with each child individually to create their own personal haiku. It was a very successful experience. Here are two haiku that I wrote, which were published last year:
haijix, Vol IV, Issue I March 2011
The Heron’s Nest – September 2011 Issue Now for those who prefer a 5-7-5 haiku, here is one I created, but never submitted for publication:
For me, part of the magic of haiku is that I can preserve the moment forever. It is really a snapshot in words. Each of the above poems represent true experiences from my life. Tell us a bit more about yourself. We’ve been reading up on you. Your history includes engineering, movie production , chess, mortgage-broking, ghostwriting – that’s a very diverse list! Of course my experiences as a tournament chess player help me throughout my life. Every challenge I experience is rather like a game of chess, where my goal is checkmate. I like to win! Have you got a site where readers can keep up with your work? And if we need a ghostwriter, how do we go about hiring you? Sometimes it isn’t the best option to hire a ghostwriter. If you are able to write the book yourself I can give you tips and suggestions. I can also give you advice on publishing options. If you decided you wanted to hire me, the next step would be to start a trial. I would write a piece of your book for $1 a word and you would choose the word count. Through this experience we can both determine if we make good writing partners. If so, I would then bid on the entire project. Where can we buy your books? What’s next? |
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