Interview with Venus De Mileage, author of Cupid’s Scythe
Tell us about your book. In the main novella, Cupid’s Scythe, from which the book’s title is derived, Cupid and the Grim Reaper swap roles, and in turn the tools of their respective trades of Love and Death – the results are sometimes catastrophic and often unexpected. With the Reaper in the business of all that is amorous one woman’s wish for love at first sight is granted, but is a wish granted always a dream come true? Despite the exchange of responsibility both Cupid and The Grim Reaper unavoidably maintain aspects of their true characters but a warping of self takes place. Mischievous Cupid, now wielding a scythe in place of his bow and arrow, becomes power crazy, a demi-god gone semi-mad. The real central characters in Cupid’s Scythe are Love and Death, with strong supporting roles played by the archetypical Cupid and the Grim Reaper. An imagined contemporary England, a sort of dirty seaside dystopian version of London, provides the story’s backdrop. The year is 2004 and the astronomical spectacle that was the Transit of Venus plays a significant part. Magical realism aspects come into play when the mythological guardians of Love and Death, now masquerading as one another, make their appearances. Four women hold four very different beliefs about love: Amy doesn’t believe in it. Bryony hopes for love at first sight. Christina thinks that love should be forever. The fourth woman, Daryl, considers it an incurable condition that can lead to madness. What genre is it? What kind of readers will it appeal to? How long did Cupid’s Scythe take to write? Cupid’s Scythe would have remained unfinished had it not been for my having a very insistent and inspiring muse who rides the back of my psyche as if it were a horse. He is responsible for the resurrection of many of the old tales and for the creation of the new ones. What was the most challenging part of your creative process? Tell us a bit about yourself. In Cupid’s Scythe we travel from the hearts and minds of the main characters to small town, to city, to the heavens and hells, all across the universe even, so the story feels big. I never deliberately look to include particular themes or subjects in anything I write, it’s usually only upon reflection that I notice that my work is peopled with odd aunts, supposedly ugly people who are in fact quite beautiful, grandfather clocks, the colour red, and ravens. The latter are of great interest to me, I find them fascinating birds which only goes to enforce the somewhat Gothic image I have. I also live with black cats so wearing less eyeliner does little to de-goth me. In any case I feel Goth is often indefinable, rather than contrived – an inner thing/essence outwardly displayed. Having said that, I find it impossible to wear colour and only ever don black clothing – this possibly has more to do with laziness – at least everything always matches. I also rather like the idea of having wardrobe that might lead to a dark Narnia where one might meet a particularly shadowy version of Mr Tumnus. I don’t think all my stories are especially dark although some fit the horror category and I’m aware of the darker sensibilities in them. Really the main focus of most of my writing would be what I call the small enormities of life: Love, Death, Sex. I write every day. I cry every day. I laugh every day. I always write the last line of any book or story first. I don’t know why, it’s always that final statement which is sewn as the seed in me. I then have to write the story that appropriately leads to that final line. I don’t always know for sure what path I will have to take to do so, though. I was born in 1964 but I feel like a thousand year old child sometimes. Have you got a blog where readers can keep up with your work? Where can we buy your book? What’s next? |
I have to get this… Wow.
Reblogged this on The Arkside of Thought.
I’m also at http://www.venusdemileage.co.uk – Great fun doing the interview, thank you IndieAuthorLand!
Much love
Venus